The Poetry of E. E. Cummings

E. E. cummings, who was born in 1894 and died in 1962, wrote many government issuess with unconventional punctuation and capitalization, and unusual tilt, word, and level(p) letter placements - namely, ideograms. cummings most difficult form of prose is plausibly the ideogram; it is extremely terse and it combines some(prenominal) visual and auditory elements. in that respect may be sounds or characters on the page that bottom of the inning non be communicativeized or cannot occupy the same capacity if pronounced and not read. Four of cummings songs - l(a, mortals), !blac, and swi( - illustrate the ideogram form quite well. Cummings utilizes unique syntax in these poems in order to convey messages visu tout ensembley as well as verbally. Although whiz may designate of l(a as a poem of sadness and l iodinliness, Cummings probably did not intend that. This poem is ab pass away out individuality - one (Kid 200-1). The theme of oneness can be derived from the numerous instances and forms of the number 1 throughout the poem.

First, l(a contains both the number 1 and the singular indefinite article, a; the second line contains the french singular definite article, le; ll on the fifth line represents ii ones; one on the 7th line spells the number out; the eighth line, l, isolates the number; and iness, the last line, can mean the state of be I - that is, individuality - or oneness, deriving the one from the lowercase roman numeral i (200). Cummings could have change this poem drastically (a leaf falls:/ forlornness), and still conveyed the same verbal message, but he has modif y the normal syntax in order that severally! line should show a one and highlight the theme of oneness. In fact, the all told poem is shaped like a 1 (200). The shape of the poem can also be seen as the path of a falling... If you want to get a full essay, order it on our website: OrderCustomPaper.com

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