American Music And Popular Culture

British the Statesn folk melody tradition denotes to the melody origin is associated with the British and white Americans while the African American medication refers to the symphony that originated with the somber Americans. British American folk music was broadly ab show up cases that needed to be pointed out and occupations respectively. Briton songs argon about problems that needed to be pointed out for all to see and moderateness for the factual basis. American on the former(a) sung about occupations and change surface off criminals. African American music came in a wide variety.The histonces institutionalise show that the earliest folk songs originated with the sicks as they went about their body of work in the vast farms or related in their servant quarters. The African American folk music is so vast and varied that no hotshot image is adequate to embrace it all. There is a picture of a slave at work in the field or point about or even a rhythmic chanting of w ork songs which gives multi faced picture of variant situations. Both enculturations dis reckon use of day by day happenings as the theme in their songs.In both cultures folk music was disseminated finished word of mouth as on that point were no recorders then. The composer sang it out as a way of teaching the early(a)s and it would spread on to the others finished hearing. This affected the music in there with closing memory and agitate in geography. The music and language were altered to fit the singers. There is no original feel of the folk song and most came in disagreeent tunes. In both societies the savor depended on who was singing the song. However the British American high society acquired print earlier than the African American.In fact so intertwined for centimes is the printed and the over traditions that the notion of a pole and tradition is a repugn issue in this society. Many of their folk songs are known to fetch in and out of print according to the history of these songs. It is evident that more of British American folk songs even though different in reception to geographical distribution multiple versions have been discovered to strikingly similar in details. However the African American societies print arrived afterwards the civil war.The aftermath of this was brought whites from the north, many of then abolitionists, into direct contact with the black throng for the first time. Even before the wars ended, events such as the organic law of the black regiments fighting for the unions cause and the famous part of loyal test which teachers and missionaries were recruited from the north began acquitting northern with the songs of the slaves. The first print accounts of the African American songs appeared in the periodicals of these northern shortly thereafter, the first spiritual appeared in a street music form.African American development of their folk songs was super assisted by the early discoveries of the British Ame rican. African American folk song music was mostly affected by the music from the African continent. This is so because the black people were brought to this continent from Africa in more or less round-the-clock wares of forced migration over a period of about two coke years. However owing to the small ratio of blacks to whites. Africans was highly suppresses and only survived in certain forms particularly customary celebration on specific occasions. British American had pure lands origin without borrowing else where.British American music was make solely with the intent of enhancing the understanding of the principle involved, without giving a inter-group communication of the culture involved. Singing drift was an integral part of the British American folk song. The tone quality and inflections of the voice, the way a singer get the rhythm and pitch were subtly varied. These were all parts of the song. On the other hand the African American folk ,music not only did the tone matter but also the kinetic rhythm which enclosed the people to dance which the British American society regarded as the ceseivious immoral and pagan.They dance in very organized ways and neer danced to fiddles tone. Musical instruments The written text of the linguistic communication launch in the British American folk music known as play party carries songs shows an association with dancing for over a long time. There is a considerable overlapping surrounded by the vocal and instrumental traditions in this type of a song. It may be treated as a song with instruments compliments or a dance tone to which verses of the song are only if sung intermittently.African American tradition folk music portrays a picture of the slaves rare moments of play the slaves quarters ringing with sound of singing and dancing to the compliment of home made fiddles and banjos, and of clapping and stamping. Music accompaniment was kind in these two societies in traditional folk music from the be ginning. rhythm section instruments were the most commonly used musical instrument during those periods and it played a role in enhancing a rhythm to the song. In African American music drum sticks or hitters have become one of the moist important instruments that are being used in the music.The drum sticks are not used in the British American music. The types of equipment they use differ greatly. The African American music has the same percussions as the Indian American music both which are similar as compared to the British American. The manner of speaking and music. The words and music used in both cases differ greatly and they intend to show the origin of each community. The British American words and the African American words differ in the importance to the music. The African American music at times acts as chats while the British American words at times have conations which have a meaning.Generally the British American culture music use octave scurf while the African Ameri can do not use. They consider tone values such as doh, re, mi, fa so, la ti doh which are musical tones and they show the highness or lowness of the music. The African American music does not keep these standards. In his work Bierhorst argues that the African America music like the Indian music is the like the music of the birds which does not have fixed tones that can be played by the piano. They are like syllable of ordinary speech. The melodies used in the songs range from tones to tones Types of songs.A bailed was used to refer to the folksongs and thus the bailed came in different categories Cries calls and hollers. It was a kind of musical saying among blacks people that was regarded as primitive and evocative. Those cries and calls of the field, the levees the track were highly individualized expressions for communication for revealing loneliness. For giving vent to feelings or simply expressing the feel of ones existence. Ironically the urban counterparts used these cries t o advertise goods and services. These kinds of folk songs were never associated with the British American society.Folk blueishs Similar to the cries cells and hollers the blue were used as intense personal expressions by the African American people. Folk blue underwent an evolution after the emancipation which brought a great change and there was the confrontation most with an entirely new set of social and frugal problems that came with freedom including the need for money. The blues were used to express depression and other difficulties they faced. The spiritual The term spiritual was derived from shortening of the New Testament verbiage spiritual songs.It was found in both societies and it associated with Christianity which the whites converted the black immigrant into. lyric songs Songs that were primarily not narratives but once with an easy flow of words found in the way British American folk music. adopt party songs/ fiddle songs These are songs that became widely used as a form of organized dancing called the play party songs. They had their origin from their restriction in some traditions against dancing as such but especially with the use of the fiddle considered a sinful instrument of the devil.These songs were mostly found in the British American traditional society. In a nutshell British-America is a type of music categorized in secular type of music and which talks about so many things or issues in the society like male to female relationships, education, sex and even cultures. British-America music originated from the western sandwich countries. As it has always been said what is a vice may or not be in a society, culture, tribe or even individuals may be a virtue to others. The African-American side mostly has not recognized it as presentable.This has then created both a orbiculate culture to and it and it has been used to strengthen specific local identities to a bigger extent especially in Africa. African-American has also created a or bicular culture of dressing especially in Africa. A good slip is the Rastafarian music lovers associated with Africa. This people have one same culture that is universal for instance they have a common hair style of dreadlocks and four common colors which are red, green, yellow and black. They also bank in jagging or drooping trousers.Local dressing identifies African-American music thereof are seen to have been tampered with language identities. REFERENCES Bierhorst, J. (1979) A Cry from the Earth. New York quaternion Winds Press. Bookbinder, D (1979), What Folk Music is All About. New York Julian Messner, Bruno N. (1992) Excursions in World Music. New Jersey Prentice-Hall. Bruno, N. (1973) Folk and Traditional Music of the westward Continents. Englewood Cliffs Prentice-Hall. Sandberg, Larry and Weissman, Dick,(1976) The Folk Music Source Book. New York Alfred A. Knopf.